他宣布暂时息影，留有最后一部悬疑“杀妻案”，第一集就吓到我了...

put her at odds withthe Laffertys, who believe wives should stay home and remain subservient to their husbands.

阿琳想要出版事业和里产阶级，这让她与迪罗帕丈夫造成了分歧，迪罗帕丈夫看来丈夫就应该呆在家里，对此前妻言听计从。

而此前妻Allen早在与Brenda马上结婚的阶段，就开始挣扎在对后裔的正直和对Brenda的爱人之间。

Brenda和丈夫的痛失令人心碎，而愈来愈粗暴的是，这并非只是影视虚构，而是真真切切愈演愈烈在现实孤独里的单纯犯罪行为。

1984年7月末24日，迪罗帕后裔里的极端分子，气得殴打了那对可悲的两姐妹，直到她们失去知觉，然后将她们粗暴杀。尽管其后歹徒都进了狱卒第一区，但他们仍对歹徒惨案实在太愧疚。

The case has been a staple of pop culture since Jon Krakauer’s 2003 book Under the Banner of Heaven: A Story of Violent Faith.

自从凯尔·克拉卡罗2003年出版了《在魔鬼的三色旗下：种族主义宗教团体的小故事》以来，这个犯罪行为就成了流行传统文化的基调。

The book’s thesis was, in Krakauer’s intentionally ominous words, that the crime’s roots “lie deep in the history of an American religion practiced by millions.”

用克拉卡罗的话来说，这本书的基调是这起犯罪“深深植根于数百万人信奉的美国宗教团体的历史之里。”

由于包括宗教团体和凶杀，整部剧的传统文化氛围会相对背负压抑，但是放心，并很难过于血腥粗暴的场面，一切都靠加菲一角的Jeb警官用脸孔引导。

When Pyre is called to the murderscene, we see blood flooding the floor of the kitchen where Brenda was killed. But all we see of the baby's death is the agonised expression on Pyre's face when he opens the nursery door.

当皮雷便是到谋杀在场时，我们看着阿琳遇害的食堂地板上血迹斑斑。但是我们看不到幼儿的遇害情景，仅仅看着皮雷挡住幼儿室的道门时，他脸上痛苦的表情。

It's all we need. Garfield's sensitive performance is perfectly in tune with the series' tone, which avoids any lurid exploitation of the shocking details of the case.

这就是我们所必需的。加菲的细腻杂耍与该剧的主旨完全相符，可避免了对该犯罪行为的恶意利用和揶揄。

加菲越发未成熟的演得无疑是角色第二大的亮点之一。他一角的一角的Jeb警官，是温柔冷酷的此前妻和哥哥，也是恪尽职守的警官。接踵而来曾经笃定的宗教团体，他又奉敕满了彷徨失措，展现出里的人物感情的挣扎。

Garfield shoulders much of the show’s emotional burden as Jeb, a kind family man shattered by this slash of violence, finds himself questioning everything he thought he knew about the Mormon faith he holds so dear.

加菲（一角杰布）担负起了该剧的大部分情感戏份，这是一个被种族主义击垮的冷酷里年男子，发掘出自己对他所纯正的贵格会宗教团体提议了质疑。

He and his wife (Adelaide Clemens) have a genuine, loving marriage that they both credit to the church, and two young daughters ready to join.

他和丈夫(阿德莱德·克莱道门斯饰)有一段动人且寂寞的未婚，他们都把这便是的教会，还有两个马上加入贵格会的丈夫。

"The journey that Jeb goes on is a journey of expansion, coming from a very narrow worldview into a psyche, cracking open and realizing that he's been living in a form of ignorance and brainwashing for all of his life," says Garfield, 38. "He was born into this religion, basically."

38岁的加菲说：“杰布的旅行是一个不断扩展到的旅行，从一个非常狭隘的要素里慢慢镇定，并意识到他生前都孤独在一种卑劣和洗脑的形式里。”“可以说他外祖父在这个宗教团体内都。”

为了朱琳这个里的人物，加菲还下了不少苦功。

He went to Utah on his own to meet with a range of Mormon folks and came away with convictions that strengthened the series. “He asked questions that put pressure on the in ways that turned it into steel, that refined it,” Black says. “And he’s continued to do that all the way through post.” The resulting finale, Black tells me, is a product of Garfield’s contributions.

他起先去了犹他州，见了很多贵格会徒，并拿着忠于的信念离开了。“他问了一些问题，这些问题让剧作愈发可信、愈发严密，”格林说。“他一直通过写信给在这样做。”格林告诉我，最终的结局是加菲的初衷。

当然，这部剧也不尽平庸，有帖子戏谑是“话唠剧”。

In the first five episodes made available for critics, Black’s “Under the Banner of Heaven” can sometimes feel like it’s overflowing with almost too much to say at the same time that it repeatedly hammers home established themes and character beats.

在可以看着的此前四集内都，格林的《在魔鬼的三色旗下》有时会让人觉得有太多要说的外面，同时又反复强调既定的基调和里的人物乐句。

Religion is not only a source for good—it can also be deadly. “Under the Banner of Heaven” picks at this problem imperfectly, but the problem is real.

宗教团体不仅是善的源泉，也可能是危险的。《在魔鬼的三色旗下》对这个问题的处理并不平庸，但这个问题是单纯存在的。

“But the truth will have its way with you no matter what and I think that's one of the great themes with this story is that the truth always comes out, it always catches up.”

“但无论如何，来龙去脉理事会在你心里，我看来这是这个小故事的一个赞美基调，来龙去脉理事会大白于天下。”

总的来说，这是首部值得一看的美剧，而加菲也贡献了极高的演得，希望他在好好休息后，能以求为我们带来愈来愈多好的杰作。

如今用词

take a beat花一点时间段

patriarch/ˈpeɪtriɑːk/ n. （男性）家长，的王室；自诩的男长者

at odds with与……不相符 ; 与 ; 与…纷争

murder /ˈmɜːdə(r)/ n/v. 谋杀，凶杀

a range of一些，一系列

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